DEBUSSY LA CATHEDRALE ENGLOUTIE PDF

DEBUSSY LA CATHEDRALE ENGLOUTIE PDF

Claude Debussy. La cathédrale engloutie, prelude for piano, L. /10 (/10). Composition Information ↓; Description ↓; Appears On ↓. Share on. facebook. Debussy, Claude La Cathedrale Engloutie (Preludes Book 1 no) midi file for Piano (midi) – La cathédrale engloutie. (). by Claude A Debussy, Colin Matthews. Description: Debussy, orchestrated by Colin Matthews; Duration: 5; Genres: Full.

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The Story of Debussy’s “The Sunken Cathedral”

First, it brings back englourie from the middle of the A section, again centered on Cbut now in c minor. The slow, sustained legato underpins the powerfully hypnotic atmosphere.

For example, motif 1 appears in the bottom of the right-hand chords on the 2nd, 3rd, and 4th quarter notes of measure 14 D-E-Band again in the next three quarter note beats D-E-B. Performer Pages Stefano Ligoratti Piano. Moli, Music Menlo From Bach, Vol. These chords bring to mind two things: There are two methods of parallelism in music; exact and inexact. Whole-tone scales and pentatonic harmonies provide cthedrale musical substance of this mysterious and evocative tone poem.

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The Art of Maurizio Pollini. The Great Englouti Pianists, Vol. The Gift of Music. The Complete Studio Recordings.

engloutiw The piano writing is particularly colorful and brilliantly effective. Most depict Gradlon as a pious, devoted king and father who was the holder of the only key to the city gate. Finally, it is out of sight and only the bells are heard at a engloufie pianissimo. Ys was a mythical city said to have been on the coast of Brittany Northwest France in the Bay of Douarnenez.

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La cathédrale engloutie

This is the loudest part of the piece. Naxos Javascript not enabled.

Reflections on the Water. In these versions, King Gradlon was said to have converted to Christianity. It also implies that this section is a mirror of one which came before, giving further support to the intro-ABA-outro structure.

Parallel harmony debssy the chords to be understood less with functional roots, and more as coloristic expansions of the melodic line. He agreed to do so, but devoted father as he was, he tried to save his daughter. After the beginning section, Debussy gently brings the cathedral out of the water by modulating to B major, shaping the melody cebussy a wave-like fashion, and including important narrative instructions in measure LMC issued shortly after this score is a critical edition by James Briscoe on which copyright is claimed.

MP3 file audio User: Much of the work’s impact derives from the extreme, effective economy of its material. The exact reason why Ys became submerged in the sea varies.

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Rainy Day Relaxation Road Trip. Debussy effectively recreates a Spanish-inflected guitar sound on the keyboard, treating the interruptions with wry humor. This section does not cite any sources. Within this climactic section, measuresDebussy briefly modulates to F major, but finishes again in C major.

The Story of Debussy’s “The Sunken Cathedral” | Parker Symphony Orchestra

Editor First edition reissue. Creative Commons Attribution Non-commercial 3. Knopf, The nearly symmetrical form of intro-ABA-outro helps illustrate the legend that Debussy is alluding to in the work, and his markings help point toward both the form and the legend.

It is virtually an etude, fiercely aggressive and calling upon the full resources of the pianist. Performer Pages Chiara Bertoglio Piano. Music for Brass Septet, Cathdrale. The use of stark, open fifths ctahedrale allude to the idea of church bells that sound from the distance, across the ocean.

This file is part of the Sibley Mirroring Project. This is quite different from simple melodic doubling, like the 3rds in Voilesor the 5ths in La Merwhich are not usually heard alone without a significant accompanimental figure.

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